Salzburg Festival's 'Charlotte Salomon' Falls Short on Drama - The New York Times
Charlotte Salomon at Museum der Moderne Rupertinum – ARTnews.com
Keira Knightley heads up cast of animated film on Holocaust artist Charlotte Salomon | The Times of Israel
To Paint Her Life: Charlotte Salomon in the Nazi Era: Felstiner, Mary Lowenthal: 9780520210660: Amazon.com: Books
A New Film About Charlotte Salomon Strips Her Soul from Her Art | Jewish Women's Archive
The First English Edition of this Book Visualises Life Under Nazi Occupation
The Obsessive Art and Great Confession of Charlotte Salomon | The New Yorker
/https://tf-cmsv2-smithsonianmag-media.s3.amazonaws.com/filer/e3/76/e376af81-c7a3-4a04-9f99-7eefe194f3e9/charlotte_salomon_-_jhm_4762_-kristallnacht_1.jpg "The Genre-Bending, Death-Defying Triumph of Charlotte Salomon's Art | Smart News | Smithsonian Magazine")
The Genre-Bending, Death-Defying Triumph of Charlotte Salomon's Art | Smart News | Smithsonian Magazine
The Obsessive Art and Great Confession of Charlotte Salomon | The New Yorker
Charlotte Salomon | Museum of Fine Arts Boston
Charlotte Salomon: Life? or Theatre? – Riot Material
Choosing Life: The Creations of Charlotte Salomon
A Private Memoir, Pried Open
Charlotte Salomon at the Jewish Museum London — Simon Schama on a modernist masterpiece | Financial Times
Something Crazy Special': Charlotte Salomon's painting of life and destruction — HASTA
Art review: Life? or Theatre? by Charlotte Salomon | Culture | The Sunday Times
The Genre-Bending, Death-Defying Triumph of Charlotte Salomon's Art | Smart News | Smithsonian Magazine
Charlotte Salomon (opera) - Wikipedia
Tragedy and the Will to Live: The Obsessive Art of Charlotte Salomon - The New York Times
The Mystery behind Charlotte Salomon's Groundbreaking Art - JSTOR Daily
Charlotte Salomon's Triumphant “No” - Public Books
The Obsessive Art and Great Confession of Charlotte Salomon | The New Yorker
The German-Jewish Artist Charlotte Salomon
A spirit the Nazis couldn't erase: Charlotte Salomon: Life? or Theatre? review | Art | The Guardian
The CJM
